The STUCKIST Movement

Art like all dissent is reactionary. As I meantioned in abstract #2 to cover such a broad theme as "dissent in art" would be a pretty impossible task in 6 weeks. This doesn't, however, mean I should neglect new artistic movements all together.

"Stuckism" was founded in the UK in 1999.
It emphasises contemporary figurative painting "with ideas". It is in opposition to conceptual art as it regards it as having a "lack of concepts".

I've only just discovered that this movement exists so as of this moment I don't think it would be worth commenting on.

But something has really drawn me to this movements ideas (a visceral reaction?). I guess I'm remeniscing my days as a year 12 Art student struggling against my wanker teacher because my figurative work apparently "lacked expression". One of her favourite artists was Damian Hirst hope you get the point. (jeez there's not much bitterness there).

I thought I would post a cut down version from their manifesto so you can all read it.

Against conceptualism, hedonism and the cult of the ego-artist.

1. Stuckism is the quest for authenticity. By removing the mask of cleverness and admitting where we are, the Stuckist allows him/herself uncensored expression.
2. Stuckism proposes a model of art which is holistic. It is a meeting of the conscious and unconscious, thought and emotion, spiritual and material, private and public. Modernism is a school of fragmentation — one aspect of art is isolated and exaggerated to detriment of the whole. This is a fundamental distortion of the human experience and perpetrates an egocentric lie.
3. Artists who don’t paint aren’t artists.
4. Art that has to be in a gallery to be art isn’t art.
5. The Stuckist is not a career artist but rather an amateur (amare, Latin, to love) who takes risks on the canvas rather than hiding behind ready-made objects (e.g. a dead sheep). The amateur, far from being second to the professional, is at the forefront of experimentation, unencumbered by the need to be seen as infallible. Leaps of human endeavour are made by the intrepid individual, because he/she does not have to protect their status. Unlike the professional, the Stuckist is not afraid to fail.
6. Post Modernism, in its adolescent attempt to ape the clever and witty in modern art, has shown itself to be lost in a cul-de-sac of idiocy. What was once a searching and provocative process (as Dadaism) has given way to trite cleverness for commercial exploitation. The Stuckist calls for an art that is alive with all aspects of human experience; dares to communicate its ideas in primeval pigment; and possibly experiences itself as not at all clever!
7. The ego-artist’s constant striving for public recognition results in a constant fear of failure. The Stuckist risks failure wilfully and mindfully by daring to transmute his/her ideas through the realms of painting. Whereas the ego-artist’s fear of failure inevitably brings about an underlying self-loathing, the failures that the Stuckist encounters engage him/her in a deepening process which leads to the understanding of the futility of all striving. The Stuckist doesn’t strive — which is to avoid who and where you are — the Stuckist engages with the moment.
8. The Stuckist gives up the laborious task of playing games of novelty, shock and gimmick. The Stuckist neither looks backwards nor forwards but is engaged with the study of the human condition. The Stuckists champion process over cleverness, realism over abstraction, content over void, humour over wittiness and painting over smugness.
9. If it is the conceptualist’s wish to always be clever, then it is the Stuckist’s duty to always be wrong.
10. The Stuckist is opposed to the sterility of the white wall gallery system and calls for exhibitions to be held in homes and musty museums, with access to sofas, tables, chairs and cups of tea. The surroundings in which art is experienced (rather than viewed) should not be artificial and vacuous.
11. Crimes of education: instead of promoting the advancement of personal expression through appropriate art processes and thereby enriching society, the art school system has become a slick bureaucracy, whose primary motivation is financial. The Stuckists call for an open policy of admission to all art schools based on the individual’s work regardless of his/her academic record, or so-called lack of it.

We further call for the policy of entrapping rich and untalented students from at home and abroad to be halted forthwith.

We also demand that all college buildings be available for adult education and recreational use of the indigenous population of the respective catchment area. If a school or college is unable to offer benefits to the community it is guesting in, then it has no right to be tolerated.

12. Stuckism embraces all that it denounces. We only denounce that which stops at the starting point — Stuckism starts at the stopping point!